Great Photo, Lovely Life
A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family…
Fine Lines
For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a…
London in the Raw
Influenced by the worldwide success of Italian ‘Mondo’ movies, British low-budget movie mogul Arnold Louis Miller concocted this exploitation-style documentary. Peering behind the grimy net curtains of London life into…
Parrot Heads
An in depth look at the world of Parrot Heads, the loyal fan base of Jimmy Buffett.
Active Measures
Russian president Vladimir Putin attacks the 2016 American Presidential Election in collaboration with The Trump Campaign.
Herman’s House
‘What kind of house does a man who has been imprisoned in a six-foot-by-nine-foot cell for over 30 years dream of?’ This film captures the remarkable creative journey and friendship…
Unapologetic
Told through the lens of Janaé and Bella, two fierce abolitionist leaders, Unapologetic is a deep look into the Movement for Black Lives, from the police murder of Rekia Boyd…
Louis Theroux: Law and Disorder in Philadelphia
Louis visits on of America’s most crime-ridden cities in this installment of Law and Disorder.
Chasing Evel: The Robbie Knievel Story
Robbie Knievel, 52 and the owner of 20 world records and 350 jumps worldwide, life is uncovered through his personal pursuit of sobriety and the need of continuing his father’s…
Shirkers
In 1992, teenager Sandi Tan shot Singapore’s first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm…
Die Unbeugsamen
“Die Unbeugsamen” (“The Indomitable”) is the story of women’s struggle against sexual discrimination and for inclusion in the democratic process in (West) Germany after WW II.